
The word writing can mean
many things to many people, especially when it refers to a
writing-across-the-curriculum program. Often, discussions regarding
such programs degenerate into debates over the relative importance
of two aspects of writing in the disciplines: writing to learn and
learning to write.
I would like to suggest that a
healthy undergraduate liberal arts education should provide students
with significant training and experience with writing, balanced
between three "dimensions": writing as a means of expression and
communication, writing as a tool for action, and writing as a mode
of learning.
An education that emphasizes all
three of these dimensions in a balanced manner will benefit students
during and after their academic careers.
Writing as a Means of
Expression & Communication
| Two Uses for
Expressive/Reflective Writing in Class |
The key to these
techniques is to emphasize freewriting— "thinking on
paper"—over mechanical or organizational
correctness. Both involve students writing quietly
and quickly during class time. You might collect and
read these writings or not, depending on your
purposes.
Priming the Pump—Writing at the beginning of
class in response to a prompt or to an overnight
reading can help students focus and prepare for a
class session and can help encourage completion of
reading assignments.
Reviewing and
Summarizing—Writing at the end of a class or a
lecture can help students digest and synthesize
ideas presented or discussed in class and—if read by
the instructor—can provide valuable feedback
concerning teaching effectiveness. |
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This dimension concentrates on
the how of writing, on helping students improve their ability to
express themselves in writing and to use writing as a means of
communicating with others.
Aside from matters of simple
correctness, improving writing is a much more complicated and
developmental process than merely memorizing and applying rules.
Progress in written expression is often seen over the course of
years, rather than semesters, so attention to writing is vital
throughout a student's college career, in the major and out.
Writing as a Tool for Action
This dimension focuses on using
writing to get things done in academic, professional, personal
and/or civic realms. Over the course of their years in college,
students should be given instruction is writing for general academic
purposes as well as discipline-
specific purposes. Students should also receive training and
experience in writing-related skills and technology connected with
their future careers.
As with the previous dimension,
courses fulfilling the liberal-arts and major requirements can
combine to offer students a thorough training in these practical
uses for writing within and outside the academy.
Writing as a Mode of Learning
Our focus in this issue, this
dimension of writing taps into the vast potential of writing for
improving learning and encouraging student development.
Although the concept has become
part of the bedrock of composition theory, the phrase, writing as
a mode of learning, originated in Janet Emig's 1981 essay of the
same name. Basing her theory on the work of Lev Vygotsky, A. R.
Luria, Jerome Bruner, Michael Polanyi, James Britton and others,
Emig claims, "Writing serves learning uniquely because writing as
process-and-product possesses a cluster of attributes that
correspond uniquely to certain powerful learning strategies" (7).
First of all, says Emig, writing
is different from listening, talking and reading:
• Writing is a technological
device—not the wheel, but early enough to qualify as primary
technology; talking is organic, natural, earlier.
• Most writing is slower than talking.
• Writing is stark, barren, even naked as a medium; talking is
rich, luxuriant, inherently redundant.
• Talk leans on the environment; writing must provide its own
context.
• With writing, the audience is usually absent; with talking,
the listener is usually present.
• Writing usually results in a visible graphic product; talking
usually does not. (9)
While Emig notes the value, even
necessity, of speaking as a part of a good learning environment, she
cautions against ignoring the differences between the two (8-9).
Secondly, Emig claims for writing "unique correspondences between
learning and writing" (10). Successful learning involves
reinforcement and feedback; is connective and selective; makes uses
of summarizers such as propositions and hypotheses; and is active,
engaged, and personal. Writing incorporates all of these
characteristics of successful learning due to its graphic,
relatively slow (compared to thought and speech), and permanent
nature (10-14).
An old adage says that we don't
know what we think until we speak or write our thoughts. Certainly,
there are many ways of knowing that don't involve spoken or written
language, but in Thought and Language, Lev Vygotsky
distinguishes between "inner speech" and "external speech." Not just
speech minus sound, inner speech is an entirely separate speech
function with its own syntax and mode of expression—the language of
our own thoughts.
Moving from inner speech to
external speech requires shaping for the benefit of an audience, as
James Britton explains: "To embark on a conversational utterance is
to take on a certain responsibility, to stake a claim that calls for
justification: and perhaps it is the social pressure on the speaker
to justify his claim that gives talk an edge over silent brooding as
a problem-solving procedure" (29).
Britton's term, shaping at the
point of utterance, refers to this movement between inner and
external speech, a movement that involves the shaping of thought as
much as the shaping of linguistic expression: "How often have we had
a student come to us with [a] problem, and in the course of
verbalizing what that problem is reach a solution with no help from
us?" (30).
Speaking and writing help us to discover (and not just to express)
our thoughts. And writing—because of its visual and permanent
nature—permits us to re-visit, re-shape, and re-think those
thoughts. Writing that focuses on this process of discovery, writing
that is more concerned with what the writer thinks than with how
that thought is expressed, is termed expressive by Britton and
reflective by writing-across-the-curriculum expert Toby Fulwiler.
Expressive/Reflective Writing
Fulwiler views
expressive/reflective writing as a key component of a well-rounded,
effective education that fosters critical, independent thinking (7).
Writing opportunities that give students space to reflect on what
they are learning, to make sense of the facts, to connect class
content with their own personal experiences—these are writing
opportunities that promote intellectual growth and successful
learning. Writing is thinking; writing is learning.
Our next issue of The
Why & The How will focus on the practical application of
expressive/reflective writing-to-learn techniques to everyday
teaching in the disciplines. For now, just keep in mind that the
term writing means more than the ability to write clearly or
get something done; writing can be a mode of learning.
"What We Talk About When We Talk
About Writing." David Kimmel. Heidelberg College Writing
Across the Curriculum. 2005. |